From Mark Twain: Collected Tales, Sketches, Speeches, & Essays 1891–1910
Interesting Links
Mark Twain: America’s Greatest Anglophile (Dickens and Twain Crossing the Pond)
The Yellow Kid on the Paper Stage (University of Virginia)
Previous Story of the Week selections by Mark Twain
• “A Presidential Candidate”
• “Running for Governor”
• “Jim Baker’s Blue-Jay Yarn”
• “Playing Courier”
Buy the book
Mark Twain: Collected Tales, Sketches, Speeches, & Essays 1891–1910
80 selections in all • 1,050 pages
List price: $40.00
20% off, free shipping
Web store price: $32.00
Mark Twain: America’s Greatest Anglophile (Dickens and Twain Crossing the Pond)
The Yellow Kid on the Paper Stage (University of Virginia)
Previous Story of the Week selections by Mark Twain
• “A Presidential Candidate”
• “Running for Governor”
• “Jim Baker’s Blue-Jay Yarn”
• “Playing Courier”
Buy the book
Mark Twain: Collected Tales, Sketches, Speeches, & Essays 1891–1910
80 selections in all • 1,050 pages
List price: $40.00
20% off, free shipping
Web store price: $32.00
In 1896 Hearst, who had purchased a color press for his own company, lured away Outcault, along with a good number of the World’s employees, to the New York Journal, in order to publish a competing full-color Sunday supplement, billed as “eight pages of iridescent polychromous effulgence that makes the rainbow look like a piece of lead pipe.” Although Hearst had won the cartoonist, Pulitzer still owned the copyright to “Hogan’s Alley”—and so both papers carried their own versions of the Yellow Kid. The two publications became known as the Yellow Kid papers, soon shortened to the “yellow papers.” And thus was born “yellow journalism”—the term coined by New York Press editor Erwin Wardman for the sensationalistic news and headlines featured in the World and the Journal.
The battle of the Sunday supplements continued through the remainder of the century, with the colors becoming more vibrant and the features and illustrations moving well beyond comic strips. Both papers commissioned poster-sized artwork and recruited celebrity authors—and this is where Mark Twain enters the picture. In 1899 the Sunday World began publishing “Life’s Great Problems—How to Solve Them: A Series of Special Articles by America’s Most Famous Funny Men,” and for a special Christmas supplement Pulitzer solicited a piece from the legendary author himself, then living with his family in England. The “problem” posed to Twain by the editors became the essay’s title, and “My First Lie and How I Got Out of It” was featured with a color illustration of the author on the cover (see image at right). The section also included three new Huckleberry Finn drawings by Edward W. Kemble, who had illustrated the original edition in 1884. There is a special irony here: when Huckleberry Finn initially appeared, an unsigned review in the same newspaper trashed the novel as “cheap and pernicious stuff” and “a piece of careless hackwork,” the story “of a wretchedly low, vulgar, sneaking and lying Southern country boy. . . . That such stuff should be considered humor is more than a pity.”
“My First Lie” became one of Twain’s better-known essays. When it was reprinted in the collection The Man That Corrupted Hadleyburg, a reviewer called it “an excellent example of the ridendo dicere verum [tell the truth while laughing] method.” The critic in the London Morning Post was even more effusive: “The whole question of the possible virtue of a lie, which has puzzled so many heads, and been so easily solved by so many to their own immediate comfort, is brightly considered in this lively little sketch, with just a glimpse of that low opinion of human nature which so often peeps out among the author’s jests.”
Notes: Twain makes passing reference to the Dreyfus case (page 440), which had dominated headlines for several years. Captain Alfred Dreyfus, a Jewish staff officer assigned to the French ministry of war, was convicted in December 1894 of spying and sentenced to life in prison—a verdict widely supported by the anti-Semitic elements of society. Over the next five years, in a series of events too complicated to summarize here, evidence clearing Dreyfus came to light but was suppressed by the war ministry, a letter incriminating him was forged, and the forger later confessed—yet Dreyfus was convicted again at a second trial. He received a presidential pardon shortly before Twain wrote this essay. Twain also refers to Joseph Chamberlain, who had been accused in involvement in the unsuccessful attempt in 1895 to overthrow the Boer government in South Africa. The House of Commons cleared Chamberlain in 1897.
The quote by William Cullen Bryant on page 444 is from “The Battle-Field”; the Thomas Carlyle quote is from The French Revolution. “Lay of the Last Minstrel” (page 445) is a poem by Walter Scott (not Milton), and George Washington’s brother Edward is a figment of Twain’s imagination. The mention of Chicago is shorthand for the World's Columbian Exposition (or World’s Fair) of 1893.
The quote by William Cullen Bryant on page 444 is from “The Battle-Field”; the Thomas Carlyle quote is from The French Revolution. “Lay of the Last Minstrel” (page 445) is a poem by Walter Scott (not Milton), and George Washington’s brother Edward is a figment of Twain’s imagination. The mention of Chicago is shorthand for the World's Columbian Exposition (or World’s Fair) of 1893.
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As I understand it, what you desire is information about “my first lie, and how I got out of it.” I was born in 1835; I am well along, and my memory is not as good as it was.. . . . If you don't see the full selection below, click here (PDF) or click here (Google Docs) to read it—free!This selection may be photocopied and distributed for classroom or educational use.