Showing posts with label ballooning. Show all posts
Showing posts with label ballooning. Show all posts

Saturday, March 9, 2019

Carlotta, the Lady Aeronaut

Mary H. Myers (1849–1932)
From Into the Blue: American Writers on Aviation and Spaceflight

A postcard showing The Balloon Farm in Frankfort, NY, where Mary Myers and her husband conducted their aeronautical experiments. Photograph by Carl E. Myers, 1907. Printed as an “Americhrome” tinted halftone postcard by The American News Company, New York.
There has been a lot of news from the exosphere in recent weeks. The aerospace company SpaceX successfully launched its unpiloted Crew Dragon capsule, sent it a couple of hundred miles up through the atmosphere, docked it at the International Space Station, and returned it to Earth in one piece. Next month, Boeing hopes to repeat this success with its first uncrewed Starliner flight, featuring a capsule that will be reusable up to ten times. Both companies plan to send shuttles with astronauts in them later this year. (After the Space Shuttle program ended in 2011, only Russian Soyuz rockets been available to ferry crew to and from the station.) And later this month two American astronauts, Anne McClain and Christina Koch, supported by Canadian controller Kristen Facciol on the console at NASA’s center in Houston, will conduct the first all-woman spacewalk outside the space station.

All this excitement reminds us how American adventures in aerospace began—with balloons, of course. And, more specifically, we remembered one of the world’s most famous balloonists: Carlotta, the Lady Aeronaut, or, as she was known to her friends, Mary Myers.

In 1871 Mary Breed Hawley married Carl Myers, an itinerant, self-taught inventor who became interested in what was called “aerial navigation.” Her husband’s experiments led to a patent for a new kind of balloon fabric—lightweight and impervious to hydrogen gas, it was strong enough to survive the repeated unfolding and folding of a balloon’s gas bag before and after each ascent—and a lucrative career as a balloon designer. Myers initially hired an experienced aeronaut to fly his balloons, but when he could not get one to fly a new design, he went up himself. Watching her husband soar through the sky, Mary Myers decided that she, too, wanted to fly.

Her first ascent took place on July 4, 1880, in Little Falls, New York. Thinking her own name of “Mary” somehow inappropriate for such daring behavior, she styled herself “Carlotta, the lady aeronaut.” (Her husband became “the Professor.”) A crowd of some 15,000 people watched her debut, and her career was under way. In 1888, in one of her most-watched feats, she flew her balloon, Zephyr, over Brooklyn and lower Manhattan, landing in Secaucus, New Jersey. In 1889, the couple bought a mansion in Frankfort, New York, which became the “Balloon Farm,” a tourist attraction and research center. By the time she retired from exhibition flying in 1891, Carlotta had made more ascents, it was claimed, than “any man living in America.” She did this without significant injury, though some of her flights—like the one she describes in our current Story of the Week selection—came close to ending in disaster.

This description of her flight (and unexpected landing) was included in her memoir, Aerial Adventures of Carlotta; or, Skylarking in Cloudland, being hap-hazard accounts of the perils and pleasures of aerial navigation (1883), a now-rare booklet that was privately printed by her husband.

Note: The above introduction incorporates the headnote for this selection in Into the Blue: American Writing on Aviation and Spaceflight, edited by Joseph J. Corn.

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For this week’s selection, we depart from the usual format and reproduce the selection, in its entirety, below.
You may also download it as a PDF or view it in Google Docs.


Carlotta, the Lady Aeronaut
This ascension, made during the Fair at Norwich, N.Y., Thursday, September 9, 1880, was in strong contrast to the previous one. As the hour appointed for the ascension approached, the wind began to blow in strong gusts, and I was anxious to get safely afloat on the open aerial sea before the arrival of a storm which might wreck my craft while leaving port.

During a calmer interval the balloon arose steadily, while I stood erect in the basket with open knife ready to cut ballast loose if necessary. As the blast again struck it the top inclined and the whole balloon was then forced to “tack” downward, just as the inclined sails of a vessel push it one way or another, only the sails can be inclined to tack either way, while a balloon always inclines to be blown down at starting; so that although the balloon had at first risen rapidly, it now became necessary to cut loose two twenty pound bags of sand to counteract this downward action of the wind, when the “Aerial” righted with a quick swing and sped upward, while I waved my flag in response to shouts below.

When a thousand feet high I released four carrier pigeons, which made a wide circle before turning homeward. A moment later I rushed into a dense cloud and saw no more of earth or balloon, while the cords sustaining the basket and even the basket itself became invisible to me, the rapidly moving index of the barometer, (held near my face to see it,) and the downward rush of moist air being the only proofs of my swift rising.

After a few minutes in this blank solitude I became anxious about the safety of the balloon, which during this unchecked upward flight must be rapidly expanding and in need of attention; for although it was arranged to avoid bursting through expansion, I was still liable to be suffocated with a flood of gas from its mouth when the balloon became over-full. While I hesitated a faint odor of gas decided me, and I pulled the valve cord while I noted the barometer, which still marked an undiminished speed upward. Several pulls on the valve were necessary before the barometer indicated any check in the speed, indeed I began to think that the instrument acted like a watch, whose springs and wheels turn the hands only forward.

Finally, at diminished speed, the basket was dragged upward into a clearer atmosphere, and the balloon again became visible, as I arose above the snow-white mountains of cloud-land. Sailing above and occasionally through these topmost peaks was chilly sport, which soon ended in my attempting to “slide down hill,” by letting out gas. The downward plunge renewed all the discomforts of my ascent, but the speed of falling was controlled by sprinkling out sand according to hints the barometer gave. I was much longer coming down than going up, and I was just beginning to think the world had somehow got loose and lost itself, when, through an opening in the mist, the earth suddenly jumped up at me, and I found myself swiftly driving at a few feet elevation over a woods several miles in extent. Not wishing to alight here I threw over everything dispensable, ballast, ulster, waterproof, rubbers, and lastly the two carrier pigeons kept for final messengers; but a gust of rain rendered the balloon too heavy to rise, and it bounded rapidly across the tree-tops, with “a hop, skip, and a jump;” the basket collecting leaves, twigs and acorns at every plunge, till an immense bass wood tree, looming high above the forest, threatened to wreck craft, crew and cargo. I cast anchor immediately, the grapnel dragging till its straining rope just allowed two wide­spread branches of the basswood to catch the netting of the balloon, when it remained firmly held, between the cable on one side and the tree top on the other, without injury. The air ship was at anchor, in sight of land,—but there was no little boat to go on shore!

By and by a hunter came shouting through the woods, attracted by my calls, and looking everywhere except high enough. He laughed at my situation and asked me why I hadn’t found a taller tree to land in. His companions, a man and a boy, soon joined him. They “didn’t see how I could be got down.” It was twenty feet from the balloon to the trunk of the tree, eighty feet to the ground, and two and a-half miles to the nearest house, and I began to think the basket might have to be my hammock for the night which was approaching, but I resolved to escape before if possible.

I inquired for the best climber in the neighborhood, and sent after an axe, saw and ropes. When the climber came he said it was impossible to climb the tree, as “it was thirty feet to the first limb, and two men could not reach around the trunk.” I said it must be done, and sent for a long ladder, meanwhile employing other men in cutting down six smaller trees below the balloon, so that it might be safely lowered.

After hard work the climber mounted from the ladder up to the limbs which held the balloon, and drew up his ropes and saw.

When it was found that I purposed sawing off these two limbs they all said it could not be done, as they were very large and would come down on me and kill me. I said I had a plan to prevent that and would take all the risk if they would obey orders.

Then I directed the climber to throw me one end of a rope, which I tied to the ring over the basket, and had him haul up and tie to a limb above, thus relieving the strain on the balloon and branches, besides holding the basket level, which all this while had remained tipped on its side, with its bottom perpendicular. Next I had the climber tie a rope to one of the two limbs which he was to saw, and pass the rope across other limbs a little lower down and farther away from the balloon, letting the free end of the rope to the ground. The other limb was similarly arranged; then I divided the men into two sets and had them hold the two ropes, standing apart quite a distance from the tree and balloon, on each side. Then the climber began to saw off one limb, and when nearly sawed the men below strained on that rope, and when it was sawed off the man above and those below managed to land it nicely across a limb below, over which the rope had been passed, so it was well supported; then we served the second limb the same way. Then the climber lowered the basket and balloon down a little ways, and next one limb, and then the other, by turns, as the men let out the ropes, till the whole came down, and I found myself on the ground after hanging up there nearly two hours. We were all much fatigued, and glad to shake hands together, as we felt quite like old friends. The men said they never knew a woman could engineer a job so well before, but I guess that may be because they never before caught one “up a tree!”

Originally published in Aerial Adventures of Carlotta; or, Sky-Larking in Cloudland (1883).

Saturday, July 29, 2017

Eight Miles—Straight Up!

Hawthorne C. Gray (1889–1927)
From Into the Blue: American Writers on Aviation and Spaceflight

Captain Hawthorne Gray before his fatal world altitude record attempt, November 4, 1927. From Scott Air Force Base Historical Photos, via Wikipedia Commons.
During the 1920s the U.S. Army Air Service divided its energies between airplanes, balloons, and giant rigid airships like the Los Angeles and Shenandoah and ran separate training schools for each. Captain Hawthorne Gray (1889–1927) graduated from all three schools before dedicating himself to military ballooning. He was the second-place finisher in the 1926 Gordon Bennett contest, held annually from 1906 to 1938, which awards a much-coveted trophy to the balloonist (or team) traveling the furthest distance. (Resurrected in 1979, the event will occur next on September 8, 2017.)

Gray was perhaps the best-known Army aeronaut of his day, a reputation burnished by his efforts to regain the world balloon altitude record for the United States. All three attempts were made from Scott Field in Belleville, Illinois. The first, on March 9, 1927, had been a relative failure. The second, on May 4, reached a height of 42,470 feet and would have reclaimed the record but for the fact that Gray left his balloon and landed by parachute, disqualifying him according to the rules. That summer he wrote an account of his second flight, “Eight Miles—Straight Up!,” which appeared in Popular Mechanics.

Gray tried again on November 4, 1927. His balloon rose smoothly but the chase planes soon lost sight of him due to clouds. Unable to reconnect with the balloon after some hours, the planes eventually landed, figuring that Gray by then would himself be on the ground. His body and balloon were discovered in the treetops the next morning by a boy near Sparta, Tennessee.

Flights into the stratosphere—“eight miles straight up” and beyond—were clearly perilous, yet ironically Gray was not a victim of what doctors most worried about at such altitudes: the effect of low atmospheric pressure on the human body. The military’s posthumous inquiry revealed that he died of asphyxiation. During his prior flight Gray had discarded too much ballast too quickly, and ascended too fast. On his fatal and final flight Gray let his balloon rise much more slowly—but as a result he consumed more of his limited oxygen supply. At 3:17 p.m. he wrote in his log, “clock frozen,” indicating that he had lost his ability to calculate how much breathing time remained. Yet he continued upward and a barograph recovered from the crash site indicates he reached a maximum height virtually identical to his previous flight. Shortly afterward Gray began his descent, but around 4:38 p.m., the point at which he had calculated he would run out of oxygen, he was either unconscious or already dead and still descending through air too thin to support human life. According to its instruments, his balloon landed in a tree at 5:20 p.m.

Gray was buried in Arlington National Cemetery and posthumously awarded the Distinguished Flying Cross. The award citation concludes, “His courage was greater than his supply of oxygen.”

The above introduction is adapted from the headnote that precedes this selection in Into the Blue: Writers on Aviation and Spaceflight, edited by Joseph C. Corn.

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How does it feel to soar more than eight miles into the air, higher than man has ever gone before, up where the air becomes too thin to support life; where the thermometer, headed for the absolute zero of outer space, has already reached nearly seventy below zero? . . . If you don't see the full selection below, click here (PDF) or click here (Google Docs) to read it—free!

This selection may be photocopied and distributed for classroom or educational use.

Friday, January 13, 2017

The Angel of the Odd

Edgar Allan Poe (1809–1849)
From Edgar Allan Poe: Poetry & Tales

Detail of drawing by Jean-Édouard Dargent (better known as Yan' Dargent) to illustrate a section about Edgar Allan Poe's The Unparalleled Adventure of One Hans Pfaall in Jules Verne's Edgar Poe et ses œuvres (1864). A hot-air balloon figures prominently in “The Angel of the Odd,” published months after Poe’s infamous Balloon Hoax.
Soon after Edgar Allan Poe moved to New York City in 1844, he submitted a report to The New York Sun, which rushed out an “Extra” edition with the front-page headline, “ASTOUNDING NEWS! BY EXPRESS VIA NORFOLK! — THE ATLANTIC CROSSED IN THREE DAYS!” Poe’s article described the first manned balloon flight from Europe by Monck Mason, who had landed safely in Charleston, and the story was picked up the next day by the Sunday New York Times. By Tuesday, however, the editors of The Sun realized that they had been had; although Thomas Monck Mason was certainly the name of a famed European balloonist, the entire work was fiction written to resemble a work of journalism.

It’s not surprising, then, that Poe’s very next story, “The Angel of the Odd,” poked fun at “the extravagant gullibility of the age” and readers’ (and editors’) eagerness to believe “improbable possibilities.” He also took the opportunity, as he frequently did, to mock works by other authors and literary taste in general. It is the “oddest of odd stories,” concedes Poe scholar Eric W. Carlson, “but it is characteristic Poe even in its oddness.” This amusing tale is also “akin to material that has been successful in media other than literature: comparable surreal compoundings of comic catastrophes occur in silent film comedies.” In a book detailing Poe’s influence on the movies, David Huckvale concurs: “This truly bizarre comedy, with its succession of unlikely perils, near-misses and slapstick stunts, has the mood of a Harold Lloyd or Buster Keaton film.”

Although the Critical Companion to Edgar Allan Poe acknowledges that it was one of Poe’s more popular pieces when it first appeared, the story has not received much scholarly attention. It was resurrected a century ago in the 1920 collection The Best American Humorous Short Stories and in the last half century has become better known in France, thanks to its inclusion in André Breton’s celebrated 1966 publication, Anthologie de l'humour noir.

In the late 1960s the French scholar Claude Richard highlighted the importance of the story’s list of books, which—along with a vast amount of wine—makes the narrator “a little stupid.” The works include the epic poems Leonidas (Richard Glover), Epigoniad (William Wilkie), and The Columbiad (Joel Barlow); the travel book A Pilgrimage to the Holy Land (Alphonse de Lamartine); and the romance Isabel, or Sicily: A Pilgrimage (Henry Theodore Tuckerman). In his discussion of these titles, Richard writes, “Poe did not select those books at random. Some of them had already been the subjects of reviews by Poe—reviews which seem to indicate, moreover, that neither had Poe selected the books merely as examples of ponderous tedium. Rather, he must have chosen them all as examples of perverted or slipshod narrative techniques.”

But Richard admitted to puzzlement by the addition of Curiosities of American Literature, by Poe’s frequent nemesis Rufus Wilmot Griswold, since that book was not published until 1847—three years after Poe wrote his story. As it happens, Griswold’s work, which is not a “narrative” in any sense of the word, did in fact first appear in 1844, as an appendix to a Philadelphia edition of Isaac Disraeli’s Curiosities of Literature—a work Poe often cited in letters and reviews. Poe likely included Griswold’s latest publication in this list of tedious and “slipshod” works merely to goad his rival. The relationship between the two authors was, at best, frosty; in a letter sent not long after the story appeared, Griswold referred to their past contretemps: “Although I have some cause of personal quarrel with you, which you will easily enough remember, I do not under any circumstances permit, as you have repeatedly charged, my private griefs to influence my judgment as a critic, or its expression.”

Yet familiarity with these long-forgotten books and literary squabbles is not essential to understanding Poe’s story, which turns rather quickly to pure, uproarious farce. Like a number of other tales, such as “Never Bet the Devil Your Head” (a previous Story of the Week selection), “The Angel of the Odd” shows a less-familiar side of Poe: his sense of humor.

Notes: Lafitte (or Chateau Lafite) is a French wine. “This folio of four pages, happy work / Which not even critics criticize” is from William Cowper's “The Winter Evening,” Book IV of his blank verse masterwork The Task (1785). In medieval mythology Cocaigne is a land of plenty, and by the early 1800s was a common, somewhat playful, nickname for London. Kirschenwasser is a cherry brandy from the Black Forest in Germany. Gil-Blas is an eighteenth-century picaresque novel by Alain-René Lesage, and "beaucoup de bonheur et un peu plus de bon sens" translates as “much happiness and a bit more common sense.”

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It was a chilly November afternoon. I had just consummated an unusually hearty dinner, of which the dyspeptic truffe formed not the least important item, and was sitting alone in the dining-room, with my feet upon the fender, and at my elbow a small table which I had rolled up to the fire, and upon which were some apologies for dessert, with some miscellaneous bottles of wine, spirit and liqueur. . . . If you don't see the full selection below, click here (PDF) or click here (Google Docs) to read it—free!

This selection may be photocopied and distributed for classroom or educational use.