From Reconstruction: Voices from America’s First Great Struggle for Racial Equality
Interesting Links
“Frederick Douglass: A Multi-Racial Trailblazer” (Tanya Katerà Hernández, The Baltimore Sun)
“Who’s the most photographed American man of the 19th Century? HINT: It’s not Lincoln” (Jennifer Beeson, The Washington Post)
Previous Story of the Week selections by Frederick Douglass
• “Letter to His Old Master”
• “Reminiscences of Abraham Lincoln”
Buy the book
Reconstruction: Voices from America’s First Great Struggle for Racial Equality
807 pages
List price: $40.00
Save 30%, free shipping
Web Store price: $28.00
“Frederick Douglass: A Multi-Racial Trailblazer” (Tanya Katerà Hernández, The Baltimore Sun)
“Who’s the most photographed American man of the 19th Century? HINT: It’s not Lincoln” (Jennifer Beeson, The Washington Post)
Previous Story of the Week selections by Frederick Douglass
• “Letter to His Old Master”
• “Reminiscences of Abraham Lincoln”
Buy the book
Reconstruction: Voices from America’s First Great Struggle for Racial Equality
807 pages
List price: $40.00
Save 30%, free shipping
Web Store price: $28.00
“Heroes of the colored race,” chromolithograph print published by J. Hoover (Philadelphia, 1881–1883). Frederick Douglass is flanked by U.S. Senators Blanche Kelso Bruce and Hiram Rhodes Revels and surrounded by scenes of African American life and portraits of John Roy Lynch, Abraham Lincoln, James A. Garfield, Ulysses S. Grant, Joseph H. Rainey, Charles E. Nash, John Brown, and Robert Smalls. Revels was the first African American elected to the Senate, to fill a partial term in 1871; Bruce was the first African American to serve a full term, beginning in 1875; both men represented Mississippi. Image courtesy of Library of Congress Prints and Photographs Division. |
After the publication of his Narrative, “the inevitable charge appeared that a slave boy could not have written the book,” writes historian William S. McFeely. “But anyone who had heard Douglass—and by 1845 thousands of people had—knew that the language of the Narrative was the same as that of the man who so passionately told his tale from the platform.” The same skepticism about authorship appeared when Harriet Jacobs published her own narrative in 1861. And, in fact, the novelist Lydia Maria Child was accused of being the “real” author of both Jacobs’s and Douglass’s memoirs. By the time of the Civil War, however, over one hundred slave narratives had been published during the previous century, and it was becoming increasingly difficult for critics to question their authenticity.
Douglass was, without doubt, the most famous African American during the 1800s; he was also the most photographed American of the century, an advocate of “picture-making” as a “might power” that could be used to combat racist stereotypes. He wrote and published three memoirs (including the Narrative), one short novel (The Heroic Slave, based on the life of Madison Washington), and thousands of speeches and essays. Yet for most of his life he was best known as an orator: “He was considered by many the art’s exemplar, better than Lincoln and other statesmen,” writes John Stauffer (author of Giants: The Parallel Lives of Frederick Douglass and Abraham Lincoln), “and by the 1850s he commanded among the highest speaking fees in the country.” Douglass published many of his speeches in his own magazines and newspapers; at various times during his fifty-year career as a writer, he owned and edited four different periodicals (The North Star, Frederick Douglass' Paper, Douglass’ Monthly, The New National Era).
Early in 1862, in the pages of Douglass’ Monthly, he addressed the question, “What Shall Be Done with the Slaves If Emancipated?”
Our answer is, do nothing with them; mind your business, and let them mind theirs. Your doing with them is their greatest misfortune. They have been undone by your doings, and all they now ask, and really have need of at your hands, is just to let them alone.As the Civil War was ending, Douglass reiterated this entreaty in various speeches and essays, including an address delivered at the thirty-second annual meeting of the Massachusetts Anti-Slavery Society, held in Boston on January 26, 1865. The speech, which argued that African Americans must have the right to vote, was subsequently published by the society with the title, “What the Black Man Wants.” Douglass also addressed an urgent and immediate concern: the insidious practice of accusing just-freed slaves of vagrancy and then punishing them with hard labor or forcing them to sign contracts as plantation workers. Like the society’s new president, Wendell Phillips, Douglass was particularly critical of Major General Nathaniel P. Banks, a former Massachusetts governor who, as the Union military commander in Louisiana from 1862 to 1864, instituted a system that compelled freed people to work on plantations for one-year terms in return for wages, food, and shelter. He concludes his speech by responding to the question he posed at the start of the war, “What shall we do with the negro?”: “Do nothing with us!”
Notes: When Douglass mentions in the opening paragraph that he lives “out West,” he is referring to Rochester, New York, his home from 1848 to 1870. Robert Toombs (page 8) had commanded a brigade in the Confederate army and served as inspector general of Georgia militia in 1864; Alexander H. Stephens was vice president of the Confederacy. Douglass claims that African Americans had the right to vote in “eleven States out of the old thirteen” (page 11). In 1787 black men were explicitly enfranchised in four states (New York, New Jersey, Pennsylvania, and North Carolina); those freed before 1783 could vote in Maryland; blacks were not explicitly prevented by law from voting in five states (Massachusetts, New Hampshire, Connecticut, Rhode Island, and Delaware). Only three states (Virginia, Georgia, and South Carolina) explicitly prohibited African Americans from voting. In 1814, during the War of 1812, General Andrew Jackson referred to white officers as “fellow-citizens” of the free people of color in Louisiana he asked to help defend the state against British invasion. Edmund Quincy, mentioned on the last page, was vice president of the Massachusetts Anti-Slavery Society from 1848 to 1860.
* * *
I came here, as I come always to the meetings in New England, as a listener, and not as a speaker; and one of the reasons why I have not been more frequently to the meetings of this society, has been because of the disposition on the part of some of my friends to call me out upon the platform. . . . If you don't see the full selection below, click here (PDF) or click here (Google Docs) to read it—free!This selection may be photocopied and distributed for classroom or educational use.