From Jack London: Novels & Stories
|“Yukon Dog Team Freighting Through Alaskan Canyon," photographic postcard, tinted, c. 1910–15. Printed by the Edward H. Mitchell Company (series #1990). The original photograph was taken circa 1897 and distributed in several forms by the Juneau-based studio of Lloyd Winter and E. Percy Pond.|
Returning home to Oakland with gold dust in his pockets worth less than five dollars, London resolved to become a writer. His early stories were based on his experiences in the Klondike, but his very first inquiry was met with the response, “Interest in Alaska has subsided in an amazing degree.” He would eventually collect over 650 rejection slips, most of which are housed today in the archives of the Huntington Library.
Barely making ends meet, London finally found a magazine interested in his stories. The editors of the low-paying—and notoriously slow-paying—Overland Monthly agreed to publish eight of them during the course of 1899. One of the selections, bearing the title “Northland Episode” when it had been previously refused by other magazines, was “The White Silence.” Soon after reading it, the San Francisco Chronicle’s weekly book columnist wrote, “I would rather have written ‘The White Silence’ than any thing that has seen the light in fiction in ten years.”
Five of the Overland stories, including “The White Silence,” portray Malemute Kid, a Yukon native living among white settlements. The Malemute Kid stories made London famous, particularly when the sixth in the series, “An Odyssey of the North,” was published in January 1900 by the prestigious Atlantic Monthly, which paid him $120—three times as much as he had received for the first five tales combined. All six, along with the other three selections that had appeared in Overland, were collected in London’s first book, The Son of the Wolf.
London scholar James I. McClintock has argued, “Jack London identified himself strongly with Malemute Kid and saw him, probably, as an idealized extension of himself.” The author himself confirmed his empathy for the Kid in letters to Cloudesley Johns, a postmaster in a remote California desert town who became London’s first true fan. After Johns apparently cautioned against the risk of romanticizing the Kid, London admitted, “In the June tale he will not appear at all, or even be mentioned. You surprise me with the aptness of your warning, telling me I may learn to love him too well myself. I am afraid I am rather stuck on him—not on the one in print, but the one in my brain. I doubt if I ever shall get him in print.”
Notes: The first page of the story, Mason mentions an Epworth to refer to a chapter of a Methodist religious organization for young adults. The distance between Arctic City and Fort Yukon (p. 299), which Mason uses as a hypothetical example of a telephone line, was 200 miles. (This was not farfetched in the late 1890s: The February 1900 issue of Popular Science Monthly reports that telephone service had been established within Dawson City, and two lines allowed communication “with the nearer mining region.”) A gee-pole (p. 300) is the steering shaft lashed to the front of a dog sled. The ice-run (p. 304) is the spring break-up of ice rushing down the river.
* * *“Carmen won’t last more than a couple of days.” Mason spat out a chunk of ice and surveyed the poor animal ruefully, then put her foot in his mouth and proceeded to bite out the ice which clustered cruelly between the toes. . . . If you don't see the full selection below, click here (PDF) or click here (Google Docs) to read it—free!
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