Friday, July 6, 2012

The Legend of Monte del Diablo

Bret Harte (1836–1902)
From American Fantastic Tales: Terror and the Uncanny from Poe to the Pulps

In 1862 James Mason Hutchings, an Englishman who arrived in California during the Gold Rush, published Scenes of Wonder and Curiosity in California. In his book you’ll find the following passage:
Almost every Californian has seen Monte Diablo. It is the great central landmark of the state. Whether we are walking in the streets of San Francisco, or sailing on any of our bays and navigable rivers, or riding on any of the roads in the Sacramento and San Joaquin Valleys, or standing on the elevated ridges of the mining districts before us—in lonely boldness, and at almost every turn, we see Monte del Diablo. Probably from its apparent omnipresence we are indebted to its singular name, Mount of the Devil.
That same year another local resident, twenty-six years of age, used Monte del Diablo as the setting for one of his earliest stories. Like Hutchings, Bret Harte (a native of Albany, New York) had moved to California during the Gold Rush years and he too had just begun a career as a writer.

The young Harte made the acquaintance of the abolitionist Jessie Benton Frémont, who hosted a highly regarded salon in San Francisco. The wife of 1856 Republican presidential candidate (and future Union Army commander) John Frémont, she became a champion of Harte’s writing and continued to support him after the Frémonts left California for the war. In early 1862 she wrote to
Atlantic Monthly editor James T. Fields to recommend the story “The Legend of Monte del Diablo,” calling Harte “a fresh mind filled with unworn pictures.” Another local abolitionist, the minister Thomas Starr King, also wrote Fields to recommend the selection (which he had not yet even read). As Gary Scharnhorst notes in a recent biography of Harte, Fields accepted the story but was not all that impressed, writing to Mrs. Frémont, “Your young friend fails to interest. He is not piquant enough for the readers of the Atlantic.” 

The story appeared in the September 1863 issue of the magazine, alongside Thoreau’s “Life Without Principle.”  Five years later, Harte would write “The Luck of the Roaring Camp” and “The Outcasts of Poker Flat,” the two stories which made him internationally famous—and they would both appear in Overland Monthly, the California-based magazine he himself edited.

Over the course of the next century, “The Legend of Monte del Diablo” became an enduring favorite among the residents of Contra Costa County in California, and eventually the legend itself became part of regional lore. In 1959 the local chapter of the Knights of Columbus voted to change its name to the Father Jose A. Haro Council in honor of the “Jesuit Priest from the early San Pablo Mission who administered to the Bal Bognes Indians, about 1770, in our immediate vicinity of San Pablo.” As the recently renamed council’s own website now sheepishly admits, both Father Haro and the mission he founded were Bret Harte’s wholly fictitious inventions.


Notes: Ayuntamientos are municipal councils. Junipero Serro (properly, Serra; 1713–1784) was the Franciscan friar who founded the chain of California missions. Calaveras, now a state park, is a grove of giant sequoias in California. Bartolomé de las Casas (d. 1566) was a Dominican friar known for fighting slavery and the mistreatment of the natives of south Mexico; he was appointed the first Protector of the Indians by Spanish administrators. Ophir was the biblical region where King Solomon’s mines were said to have been located. Alonso de Ojeda (d. 1515) was a Spanish explorer of the northern coast of South America.

The cautious reader will detect a lack of authenticity in the following pages. I am not a cautious reader myself, yet I confess with some concern to the absence of much documentary evidence in support of the singular incident I am about to relate. . . . If you don't see the full story below, click here (PDF) or click here (Google Docs) to read it—free!

This selection may be photocopied and distributed for classroom or educational use.

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